self-archived papers
Katalin Orbán, "
"Graphic Narratives as Trauma Fiction"
. In
The Routledge Companion to Literature and Trauma
, edited by Colin Davis, Hanna Meretoja (2020).
Katalin Orbán, "
"Closer Than They Seem: Graphic Narrative and the Senses"
. In Zara, Dinnen; Robyn, Warhol (eds.) The Edinburgh Companion to Contemporary Narrative Theories Edinburgh UP (2018) 239-255.
Katalin Orbán, "
"Mediating distant violence: reports on non-photographic reporting in
The Fixer
and
The Photographer
"
. Journal of Graphic Novels and Comics 6: Paper
10.1080/21504857.2015.1027943
(2015).
Katalin Orbán, "
"A language of scratches and stitches: The graphic novel between hyperreading and print"
. Critical Inquiry. 40 (3): 169-181. DOI: 10.1086/677340
Stable URL to definitive version
(2015).
Katalin Orbán, "
Embodied Reading: The Graphic Novel, Perception, and Memory
. " The International Journal of the Humanities , 11:(1) pp. 1-11. (2013).
Katalin Orbán, "
D.e.: Olvastam a Sándor Mátyást. Késobb a rádiót hallgattam": az '56-os gyereknaplók médiumai
" Kultpontok: Emlékezethelyek a magyar populáris kultúrában, Dunai Tamás, Oláh Szabolcs, Sebestyén Attila (szerk.), Debrecen: Debreceni Egyetemi Kiadó, 2012. pp. 73-86.
Katalin Orbán, "
Trauma and Visuality: Art Spiegelman's Comic Books about the Holocaust and 9/11.
" Representations 97 (2007): 57-89.
Katalin Orbán, "
Swallowed futures, indigestible pasts: Post-apocalyptic narratives of rights in Kleist and Doctorow
Comparative American Studies, An International Journal, 1:3, 327-350.
Katalin Orbán, "
Dominant and Submerged Discourses in The Life of Olaudah Equiano (Gustavus Vassa?)
" African American Review 1993 Winter, 27:4, 655-664.
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Last saved: April 15, 2015